8 drawings of the studio and of other time and places. I thought I'd draw on top of something already drawn, trying to disrespect what went before, varying the choice of mark making instrument on each one for discrimination. So there is a kind of basic layering idea similar in painting. I like the idea of building up a drawing of random viewpoints, on top of one another, a mish mash of looking and response. I set up a still life with bottles etc (a la Morandi) but couldn't bring myself to draw from it.